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dc.contributor.authorBarth, Theodor
dc.contributor.editorBarth, Theodor
dc.coverage.spatialNorway, Osloen_US
dc.date.accessioned2020-09-04T17:10:06Z
dc.date.available2020-09-04T17:10:06Z
dc.date.issued2020-09-04
dc.identifier.urihttps://hdl.handle.net/11250/2676501
dc.descriptionA flyer-set (6) with the logical structure of a HEX: 1) attempt; 2) try again; 3) do something else; 4) return; 5) unlearn; 6) crossover.en_US
dc.description.abstractMy attempt to crack the code of fascism—based on my own experience with being subject to it—is my parallel to Turing’s cracking of the Enigma-machine In my own reading, I am keeping my language as dry as possible, since after all this is a banlieue of Madness and Civilisation, Bauman style. It combines my foray into Spinoza’s Ethica, that has been going on for the last half year, with an inquiry into the workings of metalepsis. The practice that I am developing is based on the idea of a design discipline (cf, Sloterdijk) that would be to the arts, as philosophy is to science.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspartFlyer sett—#01-06 (1HEX)en_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectTuring testen_US
dc.subjectFred Wanderen_US
dc.subjectClaude Shannonen_US
dc.subjectArne Næssen_US
dc.subjectSpinozaen_US
dc.titleFascismen_US
dc.title.alternativeA techno-cultural phenomenonen_US
dc.typeArtistic productionen_US
dc.description.versiondraften_US
dc.rights.holderTheodor Barthen_US
dc.subject.nsiArtistic Researchen_US
dc.subject.nsiAudio-Visual Anthropologyen_US
dc.subject.nsiDatafagen_US


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Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal