dc.contributor.author | Barth, Theodor | |
dc.contributor.editor | Barth, Theodor | |
dc.coverage.spatial | Norway, Oslo | en_US |
dc.date.accessioned | 2020-09-04T17:10:06Z | |
dc.date.available | 2020-09-04T17:10:06Z | |
dc.date.issued | 2020-09-04 | |
dc.identifier.uri | https://hdl.handle.net/11250/2676501 | |
dc.description | A flyer-set (6) with the logical structure of a HEX: 1) attempt; 2) try again; 3) do something else; 4) return; 5) unlearn; 6) crossover. | en_US |
dc.description.abstract | My attempt to crack the code of fascism—based on my own experience with being subject to it—is my parallel to Turing’s cracking of the Enigma-machine
In my own reading, I am keeping my language as dry as possible, since after all this is a banlieue of Madness and Civilisation, Bauman style.
It combines my foray into Spinoza’s Ethica, that has been going on for the last half year, with an inquiry into the workings of metalepsis.
The practice that I am developing is based on the idea of a design discipline (cf, Sloterdijk) that would be to the arts, as philosophy is to science. | en_US |
dc.language.iso | eng | en_US |
dc.publisher | KHiO | en_US |
dc.relation.haspart | Flyer sett—#01-06 (1HEX) | en_US |
dc.rights | Attribution-NoDerivatives 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/deed.no | * |
dc.subject | Turing test | en_US |
dc.subject | Fred Wander | en_US |
dc.subject | Claude Shannon | en_US |
dc.subject | Arne Næss | en_US |
dc.subject | Spinoza | en_US |
dc.title | Fascism | en_US |
dc.title.alternative | A techno-cultural phenomenon | en_US |
dc.type | Design | en_US |
dc.rights.holder | Theodor Barth | en_US |
dc.subject.nsi | Artistic Research | en_US |
dc.subject.nsi | Audio-Visual Anthropology | en_US |
dc.subject.nsi | Datafag | en_US |