Wo(rk)manship: Transforming reduction into tessellating multi-block relief prints
dc.contributor.author | Browne, Victoria Rowena | |
dc.date.accessioned | 2022-12-06T13:31:52Z | |
dc.date.available | 2022-12-06T13:31:52Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 2732-5490 | |
dc.identifier.uri | https://hdl.handle.net/11250/3036157 | |
dc.description.abstract | This article documents practice-led research from the artist’s position as print ‘maker’ within contemporary craft. The methodology embodies David Pye’s first-hand account of the workmanship of risk. The project integrates Computer Numerical Control (CNC) milling to overcome process limitations; to realise scalable complex multi-block relief prints and to allow further exploration in colour printing. The report reflects on the process of transforming reduction relief prints into tessellating multi-block relief prints, as well as commenting on the situation and timescale in which the research took place. The outcome delivers new insights into the author’s artistic practice. | en_US |
dc.language.iso | eng | en_US |
dc.title | Wo(rk)manship: Transforming reduction into tessellating multi-block relief prints | en_US |
dc.type | Journal article | en_US |
dc.type | Peer reviewed | |
dc.description.version | publishedVersion | en_US |
dc.identifier.cristin | 2003293 |