Material Empathy in the Manufacture of a Multi-block Printed Wallcovering

dc.contributor.author	Browne, Victoria Rowena
dc.date.accessioned	2023-11-20T13:11:06Z
dc.date.available	2023-11-20T13:11:06Z
dc.date.created	2023-11-17T10:37:07Z
dc.date.issued	2023
dc.identifier.issn	2732-5490
dc.identifier.uri	https://hdl.handle.net/11250/3103612
dc.description.abstract	This paper reflects on the interconnection between studio and factory production as the merging and metamorphosis of my printmaking practice. Specifically, the ‘process of correspondence’ (Ingold, 2013) in the making of multi-block matrices prior to factory printing. In 2020, Kunsthøgskolen i Oslo funded my artistic research, to embody ‘material empathy as the physicality of craft’ (Shales, 2017) in the manufacture of a multi-block printed wallcovering. How did first-hand knowledge of factory production impact my studio practice? What new insights into printmaking were revealed through the delimitations of manufacturing?
dc.description.abstract	Material Empathy in the Manufacture of a Multi-block Printed Wallcovering
dc.language.iso	eng
dc.title	Material Empathy in the Manufacture of a Multi-block Printed Wallcovering
dc.title.alternative	Material Empathy in the Manufacture of a Multi-block Printed Wallcovering
dc.type	Journal article
dc.description.version	publishedVersion
dc.source.volume	1
dc.source.journal	Impact Printmaking journal
dc.identifier.doi	https://doi.org/10.54632/22.8.IMPJ14
dc.identifier.cristin	2197957
cristin.ispublished	true
cristin.fulltext	original
cristin.qualitycode	0