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dc.contributor.authorBarth, Theodor
dc.contributor.editorBarth, Theodor
dc.coverage.spatialNorway, Osloen_US
dc.date.accessioned2021-10-08T05:51:12Z
dc.date.available2021-10-08T05:51:12Z
dc.date.issued2021-10-08
dc.identifier.urihttps://hdl.handle.net/11250/2788552
dc.descriptionFlyer set of 6 (1HEX): #01—attempt; #02—try again; #03—do something else; #04—return; #05—unlearn; #06—crossover.en_US
dc.description.abstractThe flyer series draws up an often neglected discussion on late mediaeval/renaissance backdrop of modernism: whether referring to the Bauhaus, Samuel Beckett, Marcel Duchamp or Le Corbusier. The series are panels developed in the wake of discussions related to this topic, with PhD fellow Bjørn Blikstad (furniture). They are prompted by his work, Georges Didi-Huberman’s project of visual anthropology and a perceived need to deconstruct C.G. Jung. It is not possible to selve into the visual anthropology involving the crafts without passing through the alchemical heritage of emblems. Given that a turn to the crafts will determine a vantage point on what art does (as revealed in what it shows). In this realm desire/libido and metaphysics—the gut and the stars—are entangled. Finding a method to deal with the tangle (their superposition and intra-action rather than separation) is a worthy challenge for contemporary artistic research. Do we find anthropology in the repertoire of an expanded art history? Or, a related question, will the expanded field of performance—or, performativity—prove mediations in subject matters, and areas, that we walk around? The black spots on the “map”. Images as panels, readable as an atlas. Reading what was never written. Performance.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspart6 Flyersen_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectblack spoten_US
dc.subjectwhite spoten_US
dc.subjectatlasen_US
dc.subjectpanelen_US
dc.subjecthermetismen_US
dc.subjectsiderealen_US
dc.subjectvisceralen_US
dc.subjectreadabilityen_US
dc.subjectQUADen_US
dc.subjectBecketten_US
dc.subjectPlatoen_US
dc.subjectRepublicen_US
dc.subjectBruno Latouren_US
dc.subjectMikhail Bakhtineen_US
dc.subjectMarc Augéen_US
dc.subjectnon-placesen_US
dc.subjectinitialen_US
dc.subjectfinalen_US
dc.subjectritualen_US
dc.subjectmediationen_US
dc.subjectsemioticsen_US
dc.subjectvectorial sumen_US
dc.subjectsemioticsen_US
dc.subjectagent intellecten_US
dc.subjectAristotleen_US
dc.subjectBjørn Blikstaden_US
dc.subjectAby Warburgen_US
dc.subjectPeacock cabineten_US
dc.subjectTawereten_US
dc.subjectEdmund Leachen_US
dc.subjectarchitecture of the realen_US
dc.subjectUrim and Thummimen_US
dc.subjectHoshen Mishpaten_US
dc.subjectEphoden_US
dc.subjectPentateuchen_US
dc.subjectDoxosophesen_US
dc.subjectbogusen_US
dc.subjectNachmanidesen_US
dc.subjectBourdieuen_US
dc.subjectArt-historyen_US
dc.subjectAufstellungen_US
dc.subjectLineupen_US
dc.subjecttimescapeen_US
dc.subjectbooken_US
dc.subjectlibraryen_US
dc.subjectarchiveen_US
dc.subjectColoursen_US
dc.subjectGenetic epistemologyen_US
dc.titleblack spot #01-06en_US
dc.typeDataseten_US
dc.description.versiondraften_US
dc.rights.holderTheodor Barthen_US
dc.subject.nsiAnthroponomyen_US
dc.relation.projectProject Spinozaen_US


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Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal