Show simple item record

dc.contributor.authorBarth, Theodor
dc.contributor.editorBarth, Theodor
dc.coverage.spatialNorway, Osloen_US
dc.date.accessioned2021-09-21T06:53:18Z
dc.date.available2021-09-21T06:53:18Z
dc.date.issued2021-09-21
dc.identifier.urihttps://hdl.handle.net/11250/2779710
dc.descriptionA 6 flyer-set (1HEX): #01—attempt; #02—try again; #03—do something else; #04—return; #05—unlearn; #06—crossover.en_US
dc.description.abstractIn this flyer-series, content is queried as a vectored relationship between image and writing. The reference framework is Samuel Beckett’s queries in the “novellas” Ill Seen Ill Said/Company/ Worstward Ho/Stirrings Still (FF—faber & faber). The concept of excavation determines the hatching of content through a work of staging: the performed container. A ontological status is ascribed to such containers: they feature a category of dis/play which is neither an exhibit, nor a show. The lineup (Germ. Ausstellung, Norw. Oppstilling) is discussed as a dis/play in which the nature of what is seen and said is yet undetermined, or uncertain. From this basis the notion that the Beckett estate clusters the signature, event and context—rather than being external to Beckett’s work—is suggested. From this ground the possibility that Covid19 (pandemic and the lockdown as life-work) can fruitfully be considered an estate, is tentatively demonstrated and argued, from the vantage point of terrestrial estates, that may hatch and develop in the wake of Bruno Latour’s work, and Donna Haraway’s scheme of staying with the trouble. Which is also why the geological time-frame (cf, anthropocene) is discussed. Hereby, the /Covid-19 estate/ is launched.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspart6 flyersen_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectexcavationen_US
dc.subjectcontenten_US
dc.subjectcontaineren_US
dc.subjectmaterialityen_US
dc.subjectsemioticsen_US
dc.subjectSamuel Becketten_US
dc.subjectill seen ill saiden_US
dc.subjectgeologyen_US
dc.subjectlineupen_US
dc.subjectAufstellungen_US
dc.subjectAusstellungen_US
dc.subjectAby Warburgen_US
dc.subjectDonna Harawayen_US
dc.subjectBruno Latouren_US
dc.subjectKaren Baraden_US
dc.subjectJacques Derridaen_US
dc.subjectBenoît Peetersen_US
dc.titleExcavation #01-06en_US
dc.title.alternativeOn lineups and the Covid19 estateen_US
dc.typeDataseten_US
dc.description.versionupdatedVersionen_US
dc.rights.holderTheodor Barthen_US
dc.subject.nsiAnthroponomyen_US
dc.relation.projectProject Spinozaen_US


Files in this item

Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal