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dc.contributor.authorGadir, Tami
dc.date.accessioned2019-11-21T11:47:00Z
dc.date.available2019-11-21T11:47:00Z
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11250/2629754
dc.descriptionVideo recording of lecture (lenght 00:46:22) Artistic Research Week 2019. Time: 22 January 2019. Venue: Main auditorium, KHiOnb_NO
dc.description.abstractFans of electronic dance music often speak in terms of "PLUR" (peace, love, unity, respect) to describe their favourite scenes. In this presentation, Tami Gadir will address such claims in relation to her forthcoming book, which argues that such utopian dance floors are the exception, not the rule. Clubbers physically harass others based on gender and racial prejudices. Booking agents use myths about merit and artistry to justify their under-booking of women, transgender, and non-binary DJs. And music technology corporations contribute to an inequitable labour market by outsourcing their manufacturing to free-trade zones in the developing world. Grounded in field work, the accounts of dance music participants across the globe, and a feminist conceptual perspective, this presentation argues that even so-called underground club cultures–-like all musical cultures, and indeed, all of human culture–-are bound up with the social injustices of a global free-market.nb_NO
dc.language.isoengnb_NO
dc.publisherKunsthøgskolen i Oslonb_NO
dc.titleReconsidering Ravenb_NO
dc.typeLecturenb_NO


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