2. Ph.d. i kunstnerisk utviklingsarbeid: Nye registreringer
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Instructions to Make Use of an Already Present Itch
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Doctoral thesis, 2018)The speculation in the film The Other Wild is spun further in the sound installation Instructions to Make Use of an Already Present Itch (15 min): voices tell about their meeting with a fossil of a trilobite, an extinct ... -
To accept theirs, to make it mine, to wish it for myself
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Non-fiction monograph, 2018)This book forms part of Liv Bugge's artwork To accept theirs, to make it mine, to wish it for myself developed and produced under the auspices of Public Art Norway (KORO) in connection with the construction of new cell ... -
Conversations. Appendix
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Doctoral thesis, 2018)Transcribed conversations and notes. 1. April 26, 2018 Transcribed conversation between Liv Bugge and Ingvil Hellstrand at Stavanger Kunsthall, after having a conversation with a fossil trilobite together with a group ... -
The Other Wild: Touching art as confrontation. Reflection. A Guided Guide
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Doctoral thesis, 2018)Reflection -
The Other Wild [Film]
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Visual arts, 2018)Brøggers Hus at the Natural History Museum of Oslo is being emptied. The film The Other Wild (28 min) shows the packing, organization, and deposition of the geological and paleontological collections, as they are being ... -
Diorama
(Visual arts, 2017)With the Diorama performance series, Fiksdal stages particular views of natural and urban landscapes in different cities and contexts. The word “diorama” often refers to a three-dimentional model of a landscape, such as ... -
Affective Choreographies
(Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Dans, Doctoral thesis, 2018)This publication is a part of the outcome of Ingri Midgard Fiksdal’s artistic PhD project "Affective Choreographies" (2013-2018). The project started within the framework of The Norwegian Artistic Research Programme, and ... -
STATE STATE STATE
(Non-fiction monograph, 2016)STATE is the deadly God who kneads and bakes our bread. The state has the power to form our will and show us how to perform our rituals. Like dough, the state is kneaded by its citizens, competing states, and raised by ... -
Deep Field
(Performing arts, 2018)Deep Field will be a performance for five dancers. It centers around running, and its affective qualities, both on behalf of the performers and the spectactors. Jenny Hval and Lasse Marhaug will compose the music. Amongst ... -
Thinking Alongside
(Doctoral thesis, 2018)The publication "Thinking Alongside" is an appendix to Ingri Midgard Fiksdal's artistic PhD project "Affective Choreographies" (2013-2018). The project started within the framework of The Norwegian Artistic Research Program, ... -
A Square on a Sphere
(Book, 2018)Bok utgitt til utstillingen med samme navn i Lillehammer kunstmuseum 20. oktober 2018 - 24. februar 2019. Arbeidene inngår i kunstnerens ph.d.-grad i kunstnerisk utviklingsarbeid ved Kunsthøgskolen i Oslo. I denne boken ... -
En egen trykkpresse. Prosjektbeskrivelse
(Other type of report, 2018)Beskrivelse av ph.d.-prosjektet "En egen trykkpresse" -
Mary Jane Jacob og Merete Røstad: Kammer
(Conference lecture, 2017)Kunstner og stipendiat ved Kunst og håndverk Merete Røstad, som har laget lydskulpturen Kammer utenfor Munchmuseet, og kurator Mary Jane Jacob, kjent for sine stedsspesifikke prosjekter forankret i ulike samfunnsgrupper, ... -
Merete Røstad, Chamber
(Exhibition catalogue, 2017)Kammer was a site-specific sound sculpture and a temporary monument to the hidden life stories of women who are never memorialised in public space. It consisted of four directional speakers, two looped soundtracks, and a ... -
The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere
(Visual arts, 2019)Photo documentation from Merete Røstad's Ph.d-project The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere. Image credits: Steffen Kørner, Steffen Aaland, Alette Schei Rørvik, Katrine ... -
Kammer
(Visual arts, 2017)På en spesialbygd transportsykkel har kunstner og stipendiat Merete Røstad reist rundt i hovedstaden og samlet inn historier fra Oslos østkant. Etter samtaler med lokalbefolkningen, historielag og studier av protokoller ... -
The Participatory Monument - Remembrance and Forgetting as Art Practice in Public Sphere
(Doctoral thesis, 2018)This artistic research reflection deals with what I call the “participatory monument”, the intention of which is to bring members of the public into the artwork and to openly share related experiences with them, thus ... -
SYSTEM
(Visual arts, 2018)I videoen illustrerer jeg hvordan en tegning bygges opp etter et system basert på terningkast. Jeg har lenge arbeidet med å inkorporere systemer og regler i min praksis. Arbeidsprosessene ender ofte i uventede resultater ... -
KONSEPT
(Visual arts, 2018)På en gammel skrivemaskin finnes ingen «copy-paste», ingen stavekontroll, ingen internettilgang og ingen tilkobling til printer. Papiret er i maskinen, overstrykninger skjer med blyant og korrigeringer skrives om igjen. ... -
RESPONS
(Visual arts, 2018)Videoen består av to deler. DEL 1: I 2016 inviterte jeg en rekke kolleger fra flere kunstfelt til et prosjektrom på Kunsthøgskolen i Oslo, hvor de ble presentert for tolv keramikktavler. Etter instrukser skulle de respondere ...