Blar i 2. Ph.d. i kunstnerisk utviklingsarbeid på dokumenttype "Visual arts"
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The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere
(Visual arts, 2019)Photo documentation from Merete Røstad's Ph.d-project The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere. Image credits: Steffen Kørner, Steffen Aaland, Alette Schei Rørvik, Katrine ... -
The Passing of a Grain of Sand through a Sieve
(Visual arts, 2015-10-30)The passing of a grain of sand through a sieve, the currents of a riverbed, the ideal human somersault: These are typical subject matters of the scientific motion studies produced by the Institut für den Wissenschaftlichen ... -
UUMMANNARSUAQ
(Visual arts, 2017)Deltakelse på gruppeutstillingen UUMMANNARSUAQ med skulpturene "Red Tide" og "Bedrock Imagery". Øvrige kunstnere: Tora Dalseng, Anthea Hamilton, Deanna Havas & Shane Munro, Bedwyr Williams. Sted: 1857, Oslo. Tidspunkt: ... -
Viva Voce: Jesper Alvær
(Visual arts, 2017-10)The project Work, work: Staging dislocation in artistic and non artistic labour explores shifts in the conventions regulating artistic labour in the expanded field of art, responding to the radical shifts in artistic ... -
Vorma, august 2018
(Visual arts, 2019)Vorma, august 2018 (2018–) Broderi på lin (12 cm x 25 m), trådpalett (482 farger fra serien DMC Mouliné Spécial 25), notatbok med fargeregistreringer, liste med motiver, trådsett i konvolutter og materiale for trådsett ... -
Water from the Waist Down
(Visual arts, 2018)A ritualistic event combining the film Star Messenger by Danish artist Marie Kølbæk Iversen with a percussion performance by Diana Policarpo (Lisbon) and Other Ways, a series of sculptures by Gaia Fugazza (Milan) which are ... -
What Oscillates
(Visual arts, 2017)Skulptur. Del av utstillingen "Myths of the Marble". Vist på Henie Onstad kunstsenter 03. februar - 02. april 2017 og på Institute of Contemporary Art at the University of Pennsylvania (ICA) 28. april - 06. august 2017.