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dc.contributor.authorBarth, Theodor
dc.contributor.editorBarth, Theodor
dc.coverage.spatialNorway, Osloen_US
dc.date.accessioned2021-09-02T14:29:15Z
dc.date.available2021-09-02T14:29:15Z
dc.date.issued2021-09-02
dc.identifier.urihttps://hdl.handle.net/11250/2772649
dc.descriptionA set of 6 flyers (1HEX): #01—attempt; #02—try again; #03—do something else; #04—return; #05—unlearn; #06 crossover.en_US
dc.description.abstractThis flyer-series of 6 elements (1HEX) features 6 contrastive panels, conceived as scenographic elements for theory development from, in and for performance. The series departs from reasoned learning outcomes from a conference: Renewing Opera, hosted by PhD fellow Kristin Norderval on behalf of the Academy of Opera at KHiO. It ends up with some considerations on an ongoing/preparatory study of Aby Warburg’s Mnemosyne, with some methodological considerations on a workable approach. The series is itself conceived in performance, as a performance, and with performative outcome: panels as trace and score. And it seeks to propose a foundation for a re-started theory of signs, or semiotics. What a performance can do—which an argument cannot—is to demonstrate a point by relying on how elements work together (the truth of that), and does not rely merely/exclusively on logic. Departing from a workshop on stage the final outcome of the series, aims at exposing the readers to the panels (how they work together) and not only to convince/persuade them. The assumption is that the panels are viewed within an arms-length distance to a screen, or printout, and that signs are the signifying elements of agency. Pay attention to how you produce the signs to receive them as you intercept this set.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspartCover_descriptor, 6 flyers (1HEX)en_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectOperaen_US
dc.subjectBodyen_US
dc.subjectVoiceen_US
dc.subjectSemiosisen_US
dc.subjectSemioticsen_US
dc.subjectAgentialen_US
dc.subjectDétournementen_US
dc.subjectAsger Jornen_US
dc.subjectDériveen_US
dc.subjectWalter Benjaminen_US
dc.subjectFranzisca Baumannen_US
dc.subjectAlex Nowitzen_US
dc.subjectKristin Nordervalen_US
dc.subjectKari Anne Bjerkestranden_US
dc.subjectMemoryen_US
dc.subjectQUADen_US
dc.subjectBecketten_US
dc.subjectUmberto Ecoen_US
dc.subjectGrilles Deleuzeen_US
dc.subjectFelix Guattarien_US
dc.subjectAby Warburgen_US
dc.subjectRenewing Operaen_US
dc.subjectEdgar Allan Poeen_US
dc.subjectJacques Derridaen_US
dc.subjectQUADen_US
dc.subjectSamuel Becketten_US
dc.subjectGround zeroen_US
dc.subjectBrian Massumien_US
dc.subjectPharmacyen_US
dc.subjectPlatoen_US
dc.subjectThothen_US
dc.subjectArchetypesen_US
dc.subjectPersonaen_US
dc.subjectShadowen_US
dc.subjectAnima/Animusen_US
dc.subjectSelfen_US
dc.subjectKlein’s groupen_US
dc.subjectTailen_US
dc.subjectInventionen_US
dc.subjectTranspositionen_US
dc.subjectTransductionen_US
dc.subjectWritingen_US
dc.subjectFolden_US
dc.titleSemiosis #01-#06en_US
dc.typeDataseten_US
dc.description.versiondraften_US
dc.rights.holderTheodor Barthen_US
dc.subject.nsiAnthroponomyen_US
dc.relation.projectProject Spinozaen_US


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Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal