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dc.contributor.authorBarth, Theodor
dc.contributor.editorBarth, Theodor
dc.coverage.spatialNorway Osloen_US
dc.date.accessioned2021-05-04T15:44:30Z
dc.date.available2021-05-04T15:44:30Z
dc.date.issued2021-05-05
dc.identifier.urihttps://hdl.handle.net/11250/2753567
dc.descriptionFlyer-series: data-set developed in 6 steps: #01 attempt; #02 try again; #03 do something else; #04 return; #05 unlearn; #06 Crossover.en_US
dc.description.abstractThis flyer-series (1HEX) takes on the conceptual challenge of formulating and proposing some insights on categories, as affectively intercepted but non-embodied agents: joining the antinomic modalities of necessity and contingency. Categories are infinite in the sense of being on the verge of existence in space and time. Some core ideas for the series are reaped from—and referenced to—Jørund Blikstad’s ongoing PhD-work on furniture (design). In his queries on congregation and constituencies as ornamental principles in his wood-carving, he formulated the Peacock dilemma, which he also emulated in a text mirroring his making-process. The reference to the wood-carving process will be useful/propaedeutic for the reader. Indeed: what is on the horizon of the carver, whose immersion in spatiotemporal process is on the verge of comprehending what is (within and) beyond that horizon? As painter, feminist and Lacanian psychoanalyst Bracha Ettinger writes within/for her work: “The visible draws into its invisible kernell(s), at the centre and in the margins, to emerge different. Here, revelation is. […] —off-space as depth—borderspace as subject of depth— […]. In Hebrew, wound (petza) and emergence (haphtza’a) share the same root.” (Carriance, Copoiesis and the Subreal, in SALTWATER catalogue from the Istanbul Biennale in 2015). If interfering as the arcs on the peacock’s tail, will afford the same elements to be true and false depending on which arc they appear: if one arc is the congregation and the other is the constituency. Staying with the trouble (Haraway), however, allows the aporia to journey, and by doing so will summon a range/variety of different disciplines. From these of ripples of different modes, we are no longer looking to the stars (Galileo), but are looking unto the earth. The transposition from one discipline to the other, is at the same time the movement of transduction (Simondon) which is physical in nature. At the one end, anthroponomy (the full range from mathematics to philosophy). At the other end geognostics (featuring a dialect of new materialism). And from the vectorial sum between the two, the horizon of a first science (Laruelle). Theory picking up on the Diapason of Artistic Research. A job description for the Anthropocene.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspart6 flyers #01-#06en_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectCategoriesen_US
dc.subjectCongregationen_US
dc.subjectConstitutionen_US
dc.subjectGregariousnessen_US
dc.subjectEmotionen_US
dc.subjectAffecten_US
dc.subjectRepairen_US
dc.subjectCovid 19en_US
dc.subjectPeacock’s dilemmaen_US
dc.subjectFurnitureen_US
dc.subjectSchismogenesisen_US
dc.subjectVectorial sumen_US
dc.subjectTimescapeen_US
dc.subjectrule of lawen_US
dc.subjectPoliceen_US
dc.subjectCourten_US
dc.subjectDamageen_US
dc.subjectSettlementen_US
dc.subjectProblemen_US
dc.subjectSolutionen_US
dc.subjectPlacemakingen_US
dc.subjectNon-site localitiesen_US
dc.subjectMarketen_US
dc.subjectMoneyen_US
dc.subjectCapitalismen_US
dc.subjectEnd of the worlden_US
dc.subjectMulti-sited work-partiesen_US
dc.subjectLevelling agentsen_US
dc.subjectTesseracten_US
dc.subjectAnthroponomyen_US
dc.subjectEarth awarenessen_US
dc.subjectEdgar Morinen_US
dc.subjectImmanuel Kanten_US
dc.subjectImmanuel Wallersteinen_US
dc.titleCategoriesen_US
dc.typeDataseten_US
dc.description.versionpublishedVersionen_US
dc.rights.holderTheodor Barthen_US
dc.subject.nsiAnthroponomyen_US
dc.subject.nsiDamageen_US
dc.relation.projectProject Spinozaen_US


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