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dc.contributor.authorBrowne, Victoria Rowena
dc.contributor.authorBarth, Theodor
dc.contributor.authorRemy, Samoa
dc.date.accessioned2020-12-07T12:42:47Z
dc.date.available2020-12-07T12:42:47Z
dc.date.created2020-03-02T14:24:14Z
dc.date.issued2020
dc.identifier.urihttps://hdl.handle.net/11250/2712187
dc.description.abstractThis public seminar expands on Ruth Pelzer-Montada's anthology of texts on contemporary printmaking to consider "the graphic matrix as a trace carrier, to enable an imprint of a visual recording of the trace onto the surface."[1] "Traditional print techniques have once again risen to the fore in current artistic practice: in the age of the ever-present digitally printed image, as a political re-assertion of the artist’s presence. Print implies a shift from the optical to the haptic, from a purely visual regime to the centrality of the physical act of transferring a trace by direct contact."[2] Professor Theodor Barth, Dr. Ruth Pelzer-Montada, research fellow Samoa Remy and Professor Annu Vertanen will deliver four lectures, chaired by Associate Professor Victoria Browne. As a platform for in-depth discursive debate, this will further permeate into the students’ activities during a circular discussion in the afternoon. Perspectives on Contemporary Printmaking ed. Ruth Pelzer-Montada 2018. [1] p87. Andrzej Bednarczyk, The shape of graphic art, 2010 [2] p100. José Roca, The graphic unconscious or the how and why of a print triennial, 2011, as cited in Susana Gallego Cuesta, Esthetique de l’emprinte, La Vie des idées, 2008
dc.language.isoeng
dc.subjectBilledkunst
dc.subjectVisual Art
dc.titleThe Graphic Matrix as a Trace Carrier
dc.typeLecture
dc.description.versionsubmittedVersion
dc.identifier.cristin1798966
cristin.unitcode260,4,0,0
cristin.unitcode260,2,0,0
cristin.unitnameAvdeling Kunst og håndverk
cristin.unitnameAvdeling Design
cristin.ispublishedtrue
cristin.fulltextpreprint


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