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dc.contributor.authorBarth, Theodor
dc.date.accessioned2020-10-12T16:25:53Z
dc.date.available2020-10-12T16:25:53Z
dc.date.issued2019-09-06
dc.identifier.urihttps://hdl.handle.net/11250/2682312
dc.description.abstractTHE CALL (Session #369); chair—Vincent Paladino): This session shall examine the relationship between material culture and rhythms, from visual art to music in an attempt to define and express common components. Rhythm in painting is expressed as pattern distribution. In sculpture, rhythm is locked temporally, fusing the expression of a moment with timelessness, bringing forth a new expression from movement and being. Musical instruments convey the rhythmic movement of the breath or the hands through their shape, illustrating that existence as we know it is meaningless without rhythmic cycles which power life and beingness. The rhythms of place, of architecture and urban planning, shall be considered here; objects divided by space are experienced as related through rhythm, and temporality as a sense is quantified as movement, beats and rests. The manner and methods through which rhythm is integrated with objects of creation is here explored. We invite archaeologists, anthropologists and artists to contribute to this debate.en_US
dc.language.isoengen_US
dc.publisherKHiOen_US
dc.relation.haspartDocument w/visuals linked up through prezi.comen_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.subjectTore Vagn Liden_US
dc.subjectMachiavellien_US
dc.subjectNasjonalteatereten_US
dc.subjectMemesen_US
dc.subjectArtistic researchen_US
dc.titleTHE FORCE TO OWN TIMEen_US
dc.title.alternativeTHE FORCE TO OWN TIMEen_US
dc.typeConference objecten_US
dc.description.versionacceptedVersionen_US
dc.subject.nsiVisual anthropologyen_US
dc.subject.nsiTheatreen_US
dc.subject.nsiArchaeologyen_US
dc.subject.nsiHistoryen_US
dc.subject.nsiPolitical scienceen_US


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Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal