dc.contributor.author | Jonsbu, Tina | |
dc.date.accessioned | 2020-03-04T13:46:57Z | |
dc.date.available | 2020-03-04T13:46:57Z | |
dc.date.issued | 2019 | |
dc.identifier.isbn | 978-82-92613-91-7 | |
dc.identifier.uri | http://hdl.handle.net/11250/2645290 | |
dc.description.abstract | The texts in the book describe rather than conclude, and I have worked with them in a way similar to the way I relate to my other artistic works. Among other things the texts have a formal framework that has helped to determine how they have developed.
The book was presented in the exhibition "The format can be time without being a timeline. The format can be a distance. The format can be a distance experienced over time" at Edvard Munch’s Studio in Oslo 11 – 27 October 2019. | nb_NO |
dc.language.iso | eng | nb_NO |
dc.publisher | Oslo National Academy of the Arts | nb_NO |
dc.title | [6 texts and pictorial essay in book, 2019] | nb_NO |
dc.title.alternative | Threads | nb_NO |
dc.title.alternative | The Vorma | nb_NO |
dc.title.alternative | Scene 5 | nb_NO |
dc.title.alternative | Where is Sol LeWitt? | nb_NO |
dc.title.alternative | 3 investigations | nb_NO |
dc.title.alternative | Work with ‘Embroidery on paper’ | nb_NO |
dc.title.alternative | Weave | nb_NO |
dc.type | Non-fiction monograph | nb_NO |
dc.source.pagenumber | 98 | nb_NO |
dc.identifier.cristin | 1798717 | |