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dc.contributor.authorJonsbu, Tina
dc.date.accessioned2020-03-04T13:46:57Z
dc.date.available2020-03-04T13:46:57Z
dc.date.issued2019
dc.identifier.isbn978-82-92613-91-7
dc.identifier.urihttp://hdl.handle.net/11250/2645290
dc.description.abstractThe texts in the book describe rather than conclude, and I have worked with them in a way similar to the way I relate to my other artistic works. Among other things the texts have a formal framework that has helped to determine how they have developed. The book was presented in the exhibition "The format can be time without being a timeline. The format can be a distance. The format can be a distance experienced over time" at Edvard Munch’s Studio in Oslo 11 – 27 October 2019.nb_NO
dc.language.isoengnb_NO
dc.publisherOslo National Academy of the Artsnb_NO
dc.title[6 texts and pictorial essay in book, 2019]nb_NO
dc.title.alternativeThreadsnb_NO
dc.title.alternativeThe Vormanb_NO
dc.title.alternativeScene 5nb_NO
dc.title.alternativeWhere is Sol LeWitt?nb_NO
dc.title.alternative3 investigationsnb_NO
dc.title.alternativeWork with ‘Embroidery on paper’nb_NO
dc.title.alternativeWeavenb_NO
dc.typeNon-fiction monographnb_NO
dc.source.pagenumber98nb_NO
dc.identifier.cristin1798717


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