Now showing items 21-40 of 47

    • [Academy Lectures 2014.04.02]  

      Berardi Bifo, Franco (Lecture, 2014-04-02)
      «The financial Black Hole is swiftly dissipating the legacy of industrial labor and of the very structures of Modern civilization. Precariousness is spreading in the labor market, and in the very foundations of language, ...
    • [Academy Lectures 2014.09.05]  

      Misiano, Viktor (Lecture, 2014-09-05)
      Viktor Misiano is invited by Felix Gmelin to Oslo to discuss and investigate how we can describe ourselves and the world in what Russia’s President Putin describes as a multipolar society. Misiano was also interviewed by ...
    • [Academy Lectures 2014.10.01] 

      Ginwala, Natasha (Lecture, 2014-10-01)
      An illustrated talk that surveys the entanglements of scientific and aesthetic operations within processes of imperial expansion, knowledge-formation and the pursuit of collecting “the World as Image” in the nineteenth ...
    • [Academy Lectures 2014.10.22]  

      Coburn, Tyler (Lecture, 2014-10-22)
      Tyler Coburn’s publication, «I’m that angel», explores the conditions of how we work on and against the computer, narrated from the perspective of a “content farmer”: an online journalist contracted to generate articles ...
    • [Academy Lectures 2014.09.03] 

      MYCKET; FRANK (Lecture, 2014-09-03)
      As the first Academy Lecture of the semester, FRANK has invited MYCKET in conversation about patriarchal walls, Trojan Horses and the body politics of The Club Scene. The conversational lecture will be happening in conjunction ...
    • [Academy Lectures 2014.10.08] 

      Condorelli, Celine (Lecture, 2014-10-08)
      Support Structures Céline Condorelli’s practice is concerned with how our encounter with the material world happens through counting on it, and the fact that all human action takes place amidst countless structures of ...
    • [Academy Lectures 2014.11.19] 

      Verwoert, Jan (Lecture, 2014-11-19)
      The clan will not forget. The hunger, poverty and war the tribe lived through, is in our bones, still, as we walk the streets, eager to eat all we can, to die a bit more with every bite we take, and apologize to the dead ...
    • [Academy Lectures 2014.02.26] 

      Hjort Guttu, Ane (Lecture, 2014-02-26)
      AHG: You went out for fixed walks at night while your family slept. You had a family the entire time? C: Yes. I had kids when I was at the academy. (Pause.) I got to see a lot of painful things in my job. And I couldn’t ...
    • [Academy Lectures 2014.01.29] 

      Ashford, Doug (Lecture, 2014)
      What we may know from abstract painting is that it deploys form in order to steal experience away from the present, showing perhaps that the experience of real things is often concealing their nature. If we could somehow ...
    • [Academy Lectures 2014.05.07] 

      Watkins, Jonathan (Lecture, 2014)
      Ikon Director Jonathan Watkins gives an illustrated talk about his experiences as curator of the Iraqi Pavilion for the 2013 Venice Biennale. Having travelled extensively in Iraq, from the southern marshlands to Kurdistan, ...
    • [Academy Lectures, 2013.09.18]  

      Beloufa, Neïl (Lecture, 2013-09-18)
      In his practice Neïl Beloufa (b. 1985, France) demonstrates a persisting interest in dichotomies; reality and fiction, cause and effect, presence and absence, all of which he communicates through mediums ranging from ...
    • [Academy Lectures, 2013.10.08]   

      Weerasethakul, Apichatpong (Lecture, 2013-10-08)
      A lecture and screening by Apichatpong Weerasethakul (b. 1970, Thailand). Weerasethakul began making films and video shorts in 1994 and completed his first feature in 2000. Lyrical and mysterious, his nonlinear works ...
    • [Academy Lectures, 2013.10.30]   

      Bell, Kirsty (Lecture, 2013-10-30)
      Kirsty Bell is a writer and contributing editor of Frieze. She lives in Berlin. Her book “The Artist’s House” is just out with Sternberg Press. “Our house is our corner in the world”, wrote Gaston Bachelard in 1958. “It ...
    • [Academy Lectures, 2013.11.27] 

      Malašauskas, Raimundas (Lecture, 2013-11-27)
      “I am Fusiform and I like pseudowords, circulation, robots shouting names. Ruff Miso likes gyros, faceless meat, scrambled. I saw many scrambled things in the study room. Birds, cars, words. Monster’s pants and holograms. ...
    • [Academy Lectures, 2013.10.02]   

      Stamenkovic, Marko (Lecture, 2013-10-02)
      Is Death a woman? Or, how to exercise control over the figures of Life and Death if they have no body? In his second public appearance in Norway, at the Oslo National Academy of the Arts, 02.10.2013, Marko Stamenkovic (b. ...
    • [Academy Lectures, 2013.11.12]   

      Bifo, Franco Berardi (Lecture, 2013-11-12)
      Born in Bologna, Italy in 1949, Franco Berardi Bifo is a writer, media-theorist, and media-activist. As a young militant he took part in the experience of Potere operaio in the years 1967-1973, then he founded the magazine ...
    • [Academy Lectures, 2013.12.04]   

      Attia, Kader; Pinto, Ana Teixeira (Lecture, 2013-12-04)
      Kader Attia is a French-Algerian artist living in Berlin; his latest projects were shown at the dOCUMENTA (13), at the Witte de With Centre for Contemporary Art in Rotterdam and at the KW Institute for Contemporary Art in ...
    • [Academy Lectures, 2013.09.23]   

      Bennin, Andreas (Lecture, 2013-09-23)
      Andreas Bennin (graduated with an MA from Kunstakademiet in 2012) focuses on how our ideas and perception about reality is formed, what and who’s defining them. He has been working a lot with landscapes, in search of the ...
    • [Academy Lectures, 2013.09.11]  

      Neidich, Warren (Lecture, 2013-09-11)
      The idea of artistic research is a hot topic today, especially in our moment of the information economy and intellectual speculation. The problem is that the word research is bound to specific scientific and reductionist ...
    • [Academy Lectures, 2013.10.16]   

      Verwoert, Jan (Lecture, 2013-10-16)
      Impressionists recognized the retina as a skin best exposed to outside light. The Nabis painters took the eyes from the fields back into the salon and watched people blend in with the wallpaper and bodies emerge from ...