• The Art of Research: 2nd and 3rd Cycle Degrees. Advancing Practice or What Happens Next? 

      Payne, Alistair (Lecture, 2019)
      The presentation will be in two parts, firstly focusing upon the movement and distinction between 2nd and 3rd cycle awards within artistic institutions/academies. This will present possibilities and differences between the ...
    • The Birth and Death of the Image In three scenarios during disaster 

      Ghossein, Ahmad (Masteroppgave i billedkunst MA Kunstakademiet, Student paper, others, 2012)
      Skriftlig obligatorisk arbeid levert som del av MA avslutningsarbeid ved Kunstakademiet
    • THE ECONOMY OF SURVIVAL. Chernobyl Mon Amour 2012, Land of Freedom (Detroit) 2012 Terra Nullius (Kiruna) 2013 

      Hermansen, Siri (Doctoral thesis, 2016-04-26)
      The project The Economy of Survival consists of three separate site-specific art projects which takes as their point of departure the industrially imploded cities of Chernobyl (Ukraine) and Detroit (USA), and the ...
    • The Economy of Survival. Disputas 

      Hermansen, Siri (Doctoral thesis, 2016-04-26)
      Hva skjer når at et samfunn blir dypt transformert av en katastrofe? Hvordan tilpasser naturen og menneskets sine overlevelsesstrategier i det nye samfunnet som vokser frem? Hvordan kan man som enkeltstående kunstner ...
    • The Graphic Matrix as a Trace Carrier 

      Browne, Victoria Rowena; Barth, Theodor; Remy, Samoa (Lecture, 2020)
      This public seminar expands on Ruth Pelzer-Montada's anthology of texts on contemporary printmaking to consider "the graphic matrix as a trace carrier, to enable an imprint of a visual recording of the trace onto the ...
    • The Hunch 

      Mannov, Carl (Masteroppgave i billedkunst MA Kunstakademiet, Student paper, others, 2016)
      Skriftlig obligatorisk arbeid levert som del av MA avslutningsarbeid ved Kunstakademiet
    • The Mark on the Wall 

      Knutsen, Ane Thon (Doctoral thesis, 2019)
      Hovedverk / hovedresultat i Ane Thon Knutsens ph.d. i kunstnerisk utviklingsarbeid. Ane Thon Knutsens hovedverk er det siste av en rekke adapsjoner av Virginia Woolfs novelle The Mark on the Wall, som ble skrevet mens ...
    • The Mark on the Wall : Prosess, tekstarbeider, referanser 

      Knutsen, Ane Thon (Doctoral thesis, 2019)
      Samtidig med utstillingen av Ane Thon Knutsens hovedverk "The Mark on the Wall" på Kunstnernes Hus, vises tidligere arbeider i resepsjonsgalleriet på Kunsthøgskolen i Oslo, 22.-27. januar 2019.
    • The Matrix Walk 

      Barth, Theodor (The Matrix Walk;, Dataset, 2020-02)
    • The Omnigraph Font Project 

      Raein, Maziar (Research report, 2019)
      The Omnigraf Font Project is celebrating 200 years of drawing education in Oslo with the design of a set of digital fonts, which are available for free download in connection with the anniversary celebrations in October ...
    • The Other Wild [Exhibition] 

      Bugge, Liv (Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Doctoral thesis, 2018)
      The Other Wild interrogates how systems of control and internalized normative structures harness and govern life as well as non-life. The artistic work is part of Liv Bugge’s PhD project at Oslo National Academy of te Arts. ...
    • The Other Wild [Film] 

      Bugge, Liv (Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Visual arts, 2018)
      Brøggers Hus at the Natural History Museum of Oslo is being emptied. The film The Other Wild (28 min) shows the packing, organization, and deposition of the geological and paleontological collections, as they are being ...
    • The Other Wild: Touching art as confrontation. Reflection. A Guided Guide 

      Bugge, Liv (Ph.d. i kunstnerisk utviklingsarbeid - Avdeling Kunstakademiet, Doctoral thesis, 2018)
      Reflection
    • The Participatory Monument - Remembrance and Forgetting as Art Practice in Public Sphere 

      Røstad, Merete (Doctoral thesis, 2018)
      This artistic research reflection deals with what I call the “participatory monument”, the intention of which is to bring members of the public into the artwork and to openly share related experiences with them, thus ...
    • The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere 

      Røstad, Merete (Visual arts, 2019)
      Photo documentation from Merete Røstad's Ph.d-project The Participatory Monument — Remembrance and Forgetting as Art Practice in Public Sphere. Image credits: Steffen Kørner, Steffen Aaland, Alette Schei Rørvik, Katrine ...
    • The passages between four rooms 

      Bayat, Emel (Masteroppgave i billedkunst MA Kunstakademiet;, Master thesis, 2018)
      Skriftlig obligatorisk arbeid levert som del av MA avslutningsarbeid ved Avdeling Kunstakademiet, 2018
    • The Passing of a Grain of Sand through a Sieve 

      Bunte, Andreas (Visual arts, 2015-10-30)
      The passing of a grain of sand through a sieve, the currents of a riverbed, the ideal human somersault: These are typical subject matters of the scientific motion studies produced by the Institut für den Wissenschaftlichen ...
    • The Passing of Time 

      Christensen, Jeannette; Gjesdal, Kristin (Book, 2017)
      Med utgangspunkt i en serie polaroidbilder basert på malerier av barokkmaleren Jan Vermeer ønsker jeg å se på hvordan disse bildene kan bære mening i dag utover den historiske konteksten. De allegoriske motivene fra barokken ...
    • The Porcelain Room. Porselensrommet 

      Nordli, Irene (Exhibition catalogue, 2016)
      Catalogue published in connection with the exhibition The Porcelain Room (Porselensrommet), held at Galleri Format, Oslo, 27 October - 27 November 2016, and at Nordnorsk Kunstnersenter, Svolvær, 31 March - 28 May 2017. ...
    • The School of Athens 

      Bergman, Aeron; Salinas, Alejandra (Visual arts, 2009)
      Performance med Sigmund Skard, Benedikte Rønsen, Kaya Gaarder, Mohamed Ali Fadlabi og Rickard Engström. Kunstnernes Hus, 12. juni 2009.