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dc.contributor.authorEllmer, Stefan
dc.contributor.authorRaein, Maziar
dc.date.accessioned2024-04-18T07:27:20Z
dc.date.available2024-04-18T07:27:20Z
dc.date.issued2024
dc.identifier.urihttps://hdl.handle.net/11250/3127136
dc.descriptionThis is a KHiODA report on the project "Asemic — between drawing and writing" carried out by Ellmer Stefan as lead researcher and support from Maziar Raein.en_US
dc.description.abstractAsemic writing comprises a vast variety of artistic practices in the fields of visual poetry, fine arts and calligraphy. It deploys letter-like structures without conventionally fixed semantic meaning and can be found in many different variation, ranging from the expressive gestural to the systematic typographical. Even though asemic writing has gained popularity as a medium of artistic expression in recent years, it is very much absent in the current discourses in graphic design. In this project, it is investigated in regard to its historical, conceptual, practice-based and pedagogical implication within the field of graphic design. This research unifies the often conceptually distinct disciplines of drawing and writing and highlights the artistic potential and relevance of asemic writing as an accessible form of mark-making beyond conventional restrains. Furthermore, this project introduces asemic writing as a tool in understanding, questioning, extending and teaching fundamental aspects of visual design.en_US
dc.publisherKunsthøgskolen i Osloen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleAsemic - between drawing and writingen_US
dc.typeResearch reporten_US


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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